{ "numMessagesInTopic": 13, "nextInTime": 1054, "senderId": "Iwhuh1RuUaMk8zMp_R1yfdTbS4n0LUOzbcjowXsu_Kf643p1mZVqFNTNXNzfqCAQfv76YduK86AZ_KZcZkDnSYyA8a-9qcEyVx4", "systemMessage": false, "subject": "RE: [01v96] 01V96 as a crossover ?", "from": ""Todd Wilcox" <twilcox@...>", "authorName": "Todd Wilcox", "msgSnippet": "... When would one gate vs. expand? Would running an expander on the vocals to make the drop-out more gradual cause other problems? I ve never worked with an", "msgId": 1053, "profile": "goobernumber9", "topicId": 1024, "spamInfo": { "reason": "0", "isSpam": false }, "replyTo": "LIST", "userId": 53486837, "messageBody": "
> of the ambience. Gating the vocal and drum mics, puts theWhen would one gate vs. expand? Would running an expander on the vocals to
\n> icing on the cake in the clarity
\n> department going to FOH,, monitors or recorder. Just have to
\n> be more conservative with the gates in
\n> a live situation, don't want to set threshold too high on the
\n> voc channels or the vocalists will die
\n> when they occasionally back off the mics.
\n
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