{ "numMessagesInTopic": 22, "nextInTime": 1149, "senderId": "QwkbAMTyJGaZkGE31OIlqHkZ0PAPyyd3dBrMthns2KJfjIj2Y_xr0NWdDihzf39uEBW7U7UQjmR4Qft4kndxJuUG", "systemMessage": false, "subject": "Re: [01v96] Two sets of monitors...", "from": ""TB-AV" <tb-av@...>", "authorName": "TB-AV", "msgSnippet": "Oh, checking two mixes, yes, I couldn t figure where you were coming from on that one. Yeah, that would be a must. ... From: Ronny Morris", "msgId": 1148, "profile": "themixowner", "topicId": 1136, "spamInfo": { "reason": "0", "isSpam": false }, "replyTo": "LIST", "userId": 158272218, "messageBody": "
----- Original Message -----
\nFrom: "Ronny Morris" <digitakmastering@...>
\nTo: <01v96@yahoogroups.com>
\nSent: Sunday, January 11, 2004 12:50 AM
\nSubject: Re: [01v96] Two sets of monitors...
\n
\n
\n>
\n> Never mind Tom, I understand, he just wants to check one mix through both
\nsets of speakers. My bad.
\n> :O0
\n>
\n> Gator
\n>
\n>
\n> >
\n> > >
\n> > > Ronny, I don't think that is necessary. If he were comparing
\nmonitors,yes,
\n> > > but to hear what a mix sounds like on different monitors, no. Level
\nmatching
\n> > > is not important. Only to the extent that the source is equal, ie. a
\ncd
\n> > > track. As a matter of fact I would listen to the mix throughout a gain
\nrange
\n> > > on each set. To see(hear) if they sound good at low volume, mid-vol.
\nand
\n> > > higher volumes. Each set. This is pretty consistent with your further
\n> > > comments about the boom boxes. They are not going to be gain matched
\nbut are
\n> > > going to be very good indicators of how good the mix is going to
\ntranslate
\n> > > in the real world.
\n> > >
\n> >
\n> > When I was talking gain matching, I'm talking A/B'ing the two mixes
\nafter they are mixed to
\n> stereo,
\n> > on what ever mix down device, not A/Bing the whole mix in real time from
\nthe v96. In my case it
\n> > would be more beneficial to A/B a mix after all processing is finished
\nand I'm always going to do
\n> > higher rez processing after the v96, but will monitor back through it. I
\nthink it's crucial, that
\n> if
\n> > you monitor your mix on two pairs of speakers, they need to be at
\nequity, whatever levels you
\n> check
\n> > it at. In his case, the Mackies are going to sound much richer than the
\nNS-10's and will be much
\n> > more pleasureable to work with, but if you get it sounding good on the
\nNS-10's, it will translate
\n> to
\n> > the rest of the world.
\n> >
\n> > Keep On Trackin'
\n> >
\n> > Ronny Morris - Digitak Mastering
\n> > http://208.191.230.169/wbbs/Digitak/index.php
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