{ "numMessagesInTopic": 17, "nextInTime": 1263, "senderId": "WpMEc5ruqNOzX9sp0Uxdd2RNTxczIOJtZaosS6hGPjIuDaLwuFZrQn9zQKX2jGGDOnIsz0Z_wBvsrFg9a64qdzfNQ4VpICZhx6O6cw", "systemMessage": false, "subject": "Re: [01v96] Re: 01V96 voltage tolerance?", "from": "Mike McMillan <mike@...>", "authorName": "Mike McMillan", "msgSnippet": "Thanks for that, this is the sort of thing I have had to do but was hoping for a more elegant solution. I can take the returned signals from the analogue", "msgId": 1262, "profile": "mikesounds1947", "topicId": 1227, "spamInfo": { "reason": "0", "isSpam": false }, "replyTo": "LIST", "userId": 172456712, "messageBody": "
>OK, I think I am following you.--
\n>Scenario 1.
\n>
\n>Patch the mics into the V. PAIR the faders on the Side L/R and flip
\n>the
\n>polarity of one. Yes, that works, no problem. You would have to
\n>move two
\n>faders to get you Mid and Side mix.
\n>
\n>Scenario 2.
\n>
\n>Bring three digital signals from the mics. Probably over ADAT
\n>lightpipe.
\n>Then basically do the same as above. PAIR 2 faders for the SIDE
\n>L/R and
\n>flip the polarity on one. Again you would move two faders for all
\n>three
\n>signals to balance the overall sound.
\n>
\n>
\n>In either instance, and depending on what you have to record to,
\n>you can
\n>then route the DECODED result to L/Mid and R/Side for a 2 Track
\n>recording
\n>AND if you have enough tracks to record to, you could record the
\n>unaltered
\n>Mid , L-Side , R-Side to three separate tracks for later DECODEING
\n>in a
\n>studio environment.
\n>
\n>Anyone see a problem with this?
\n>
\n>TB
\n>
\n>
\n>-----Original Message-----
\n>From: Mike McMillan [mailto:mike.mcmillan@...] On
\n>Behalf Of Mike
\n>McMillan
\n>Sent: Friday, January 30, 2004 5:54 PM
\n>To: 01v96@yahoogroups.com
\n>Subject: Re: [01v96] Re: 01V96 voltage tolerance?
\n>
\n>OK, here goes:
\n>
\n> Instead of left and right as a stereo signal, the M-S format
\n>requires a forward facing mic for the 'M' component and a figure of
\n>eight mic facing the left and right hand sides of the soundstage.
\n>The
\n>left hand face is the 'inphase' element of the figure of eight and the
\n>right hand is the 'out of phase' element.
\n>
\n> When decoding this return pair of channels to a mixer that
\n>does
\n>not feature a decoder, the 'Mid' signal is fed to one line input and
\n>panned centre. The 'Side' is fed to 2 line inputs and one of these is
\n>panned left, the other right. The one that is panned right is phase
\n>reversed before entering the mixer or at the mixer if the facility is
\n>provided in the mixer. There are now three channels; the Mid signal
\n>is
\n>set for nominal level and the Side signals must be kept at equal gain
\n>to
\n>eachother and gradually added to the Mid signal until the resulting
\n>stereo signal provides the right image (balance of direct central
\n>signal
\n>and the phased related material provided the left-right information
\n>and
\n>ambience.
\n>
\n> I don't like to employ more input channels than necessary and
\n>so
\n>would prefer internal routing to carry out the splitting and phase
\n>reversal process for me. I have been working in the analogue
\n>domain so
\n>that I could provide the mixer with the three input signals but wish
\n>to
\n>carry out the process in the digital domain really. The idea of
\n>splitting an AES/EBU digital signal and applying one channel to two
\n>inputs does not appeal to me at all and would like to know if the
\n>Yammy
\n>O1v96 can do this work for me in the patching settings or maybe in
\n>the
\n>surround sound facility.
\n>
\n> I record in M-S format for my main stereo pair and decode it
\n>later on mixdown so just need to monitor the decoded M-S during
\n>the
\n>session - I do not mix it to stereo at the time.
\n>
\n> All contributions gratefully received please.
\n>
\n>Toodle Pip,
\n>
\n>Mike
\n>
\n>In message
\n><200401302210.i0UMAIQ03822@...>, TB-AV
\n><tb-av@...> writes
\n>>If you can explain how you do it now, or basically how one would
\n>>do it
\n>>outside the 01V96. Then someone may be able to tell you a means
\n>>by which it
\n>>could be handled inside the V96. Once configured it could be
\n>stored
\n>>as a
\n>>scene or patch config.
\n>>
\n>>TB
\n>>
\n>>
\n>>-----Original Message-----
\n>>From: Mike McMillan [mailto:mike.mcmillan@...] On
\n>>Behalf Of Mike
\n>>
\n>>Mike (Who still wants to know if there is an elegant way to decode
\n>>M-S
\n>>in the Yammy O1v96 when returning signals from a digital source.)
\n>>
\n>>
\n>>
\n>>
\n>>Yahoo! Groups Sponsor ADVERTISEMENT
\n>>click here
\n>>
\n>http://us.adserver.yahoo.com/l?M=267637.4116732.5333197.1261774/D=egroupmai
\n>l/S=:HM/A=1945637/rand=987664937
\n>>Yahoo! Groups Links
\n>> • To visit your group on the web, go to:
\n>> http://groups.yahoo.com/group/01v96/
\n>>
\n>> • To unsubscribe from this group, send an email to:
\n>> 01v96-unsubscribe@yahoogroups.com
\n>>
\n>> • Your use of Yahoo! Groups is subject to the Yahoo! Terms of
\n>> Service.
\n
\n