{ "numMessagesInTopic": 9, "nextInTime": 1465, "senderId": "BGP8Hs-b9sWKHRoz48lapBGL4a9BGuw9R7ua46sGe07OWL5pcyC8zlT9Qfb80QT15HotcjWQRgQOSYsjDzakab9MEgAbZ_nekjXHyH0b", "systemMessage": false, "subject": "Re: [01v96] Re: User defined keys - tap delay button ?", "from": "Michael Haertl <michael.haertl@...>", "authorName": "Michael Haertl", "msgSnippet": "... oh, oh Ronny, please don t get me wrong. First, I don t have any critical function on a UD, so I usually don t have recall confirmation on these buttons.", "msgId": 1464, "topicId": 1422, "spamInfo": { "reason": "0", "isSpam": false }, "replyTo": "LIST", "userId": 24337049, "messageBody": "
>>ronnymorris2001 wrote:oh, oh Ronny, please don't get me wrong.
\n>> > [tap delay button]
\n>>>Just curious, why would you need the tap on a UD?
\n>>
\n>>Well isn't that obvious ? For quick access. And I could go on watching
\n>>the show or the gain reduction of a compressor at the same time instead
\n>>of pressing EFFECT->FX2-Edit->CURSOR-RIGHT->CURSOR-DOWN ...
\n>
\n> Well no it isn't obvious to me, because I generally change other
\n> parameters when I set tempo on fx. Most live bands vary the tempo through
\n> out a song anyway. I'm not gonna sit there and change the tempo on the delay
\n> on every song either. If I can hear the delay on the song enough to tap the
\n> tempo, than it's going to be way too hot for in between song mic talk. I'm
\n> not going to ride an effect at the start of every song and at the end of
\n> every song. Get too much going on and it's too easy to forget and make
\n> mistakes. If the delay was used for a specific effect on a specific song and
\n> I worked with the same band all of the time, I might program that in and
\n> recall it from the UD's as an FX + or - library change, complete with "all"
\n> of my parameter tweaks. I tend to get the board where I want it and leave it
\n> alone, unless there's a major change on stage. Another reason why it isn't
\n> obvious to me, is that I'm not going to enable my UD keys on a live show
\n> with out the Recall Confirmation, that would take the same amount of wasted
\n> and uneccessary moves on the UD keys as you describe to set the tempo with
\n> the FX window. Hit UD Key, Recall Confrimation comes up>Cursor over to
\n> Yes>Hit enter, tempo UD is enabled>Hit UD assigned key for for tempo
\n> changes. What is obvious to me is that you are flirting with disaster for
\n> putting anything on the UD keys that might accidentally get bumped and
\n> really screw up the show.
\n
\n
> If you want to change tempo on the fx when you are running a live show,Well, I think I see your point. And obviously there is a drawback
\n> SIMPLY put your cursor on TAP TEMPO, after the fx are set at soundcheck.
\n> Than go back to the Home layer and proceed with your final leveling. When
\n> you want to change tempo on the fx during the show., SIMPLY Hit FX and tap
\n> in the count on the enter button. The tap will always be highlighted until
\n> you change that parameter. It's obvious to me that not only does this
\n> provide protection from accidentally changing a scene or parameter by
\n> inadvertently touching the unprotected mode UD keys, but only takes one
\n> button push to arm the tap tempo enter button, not four moves as you
\n> describe or what it would take to safely set the UD keys to tap tempo, if I
\n> truly needed the tap on the unprotected mode UD keys. Who in the hell wants
\n> to sit there and be careful not to accidentally bump the UD's, not me. Well
\n> isn't this obvious to you?
\n
\n