{ "numMessagesInTopic": 4, "nextInTime": 285, "senderId": "7GhMByF-PE6yE0KKI8jtOr_tj823_TeRzkNwGVrqN_PKBMqa8jJTGjyXHBwA5vIHnFNozVafokZuoEVRg1F-o7jupg", "systemMessage": false, "subject": "Re: Question...?", "from": ""Mike" <mrivers@...>", "authorName": "Mike", "msgSnippet": "... 23- ... to ... There s nothing here that you can t do on the HDR24/96, in fact you have even more flexibility by taking advantage of the virtual tracks. ", "msgId": 283, "topicId": 282, "spamInfo": { "reason": "0", "isSpam": false }, "replyTo": "LIST", "userId": 0, "messageBody": "
> I take my 16-20 tracks of music and bounce a stereo mix to tracks23-
\n
> 24.to
\n> Then, I offset adat#1 to a blank location of tape.
\n> I then bounce tracks (23 & 24) to tracks (1 & 2) on the "offset"
\n> adat, which now gives me 20+ available tracks to do vocal
\n> stacking "comps" of background vox(of course after positioning the
\n> remaining 2 adats to the new locate point).
\n>
\n> Then, I send all 3 adats back to the original 16-20 music spread
\n> location and then I sample(or bounce) all of my vocals back to 2
\n> available tracks,thus...giving me the WALL OF VOX sound I 've come
\n
> love with the music tracks still seperated(not to mention a few openThere's nothing here that you can't do on the HDR24/96, in fact you
\n> tracks remaining for the lead vox and whatnot).
\n>
\n> How, Now, Brown, Cow, could I accomplish this with the HDR???
\n
\n