{ "numMessagesInTopic": 11, "nextInTime": 695, "senderId": "dgIU8QaZMTWVZ8RGFa-9ity8A3IRtz2z2rl8IS5uM1RJ3u5k74iDIWzyRRzOAZl_LYFC1hr1PBfN", "systemMessage": false, "subject": "MIKE, WHAT ABOUT AN EXTERNAL CONVERTER?", "from": "mhungria@...", "authorName": "mhungria@ig.com.br", "msgSnippet": "The TASCAM MX-2424 is the same, ... brag ... Alesis ... 2nd ... that s ... I have a question for you. What if I put Mytek converters in the back of the HDR for", "msgId": 694, "topicId": 683, "spamInfo": { "reason": "0", "isSpam": false }, "replyTo": "LIST", "userId": 0, "messageBody": "
> I think so is the iZ RADAR-24 (though the website is silent aboutbrag
\n> this - I'd think that knowing what the competetion does, they'd
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> if they were recording 24 tracks at 96 khz), and I'll bet theAlesis
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> will be, too. Even the Sony DMX-R100 console turns into half of2nd
\n> itself when running at 96 kHz. This is what you get when you add
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> generation capabilities to a 1st generation product. (or maybethat's
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> 4th generation capatilities to a 3rd generation product).I have a question for you. What if I put Mytek converters in the
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